Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

冬雪纷飞的安纳托利亚山区，一所与世隔绝的男子寄宿学校座落其中。某日夜里，男孩们在淋浴间过度嬉闹，遭到教官严厉处罚，被迫在零下30度的低温中洗冷水澡。隔天，尤素夫竟发现同房好友开始严重呕吐，陷入昏迷。他赶忙通报师长，却只见大人们不断互踢皮球。随著时间分秒流逝，下山之路的积雪越发深厚，他望著奄奄一息的好友，理智也面临崩溃边缘。 库德族裔新锐导演改编童年亲身经历，场景设置在宛如真实社会缩影的寄宿学校，透过纯真而惊惧的男孩之眼，以晃动不安的镜头控诉官僚杀人的冷酷体制，更尖锐影射陈腐教育思维的世代複制过程。 “施加在我们幼小身体上的控制，将在往后的人生形塑我们的心智。控制孩子，本质上就是控制未来。”──法利·卡拉罕

在奥斯曼帝国时期的伊斯坦布尔，一名不顾一切的科学家遭遇不幸后，他的学生试图采用未经测试的方法来完成他的工作，结果却引发了可怕的后果。

讲述一个秘密的特种部队的故事；呼叫信号“风暴使者”。在第一部电影（山 Dağ）的巴吉尔和奥古兹事件之后，不一定有把握的最好的朋友，已经报名参加世界闻名，永远艰苦的土耳其特种部队训练。他们的第一次任务是六年后开始的——渗透到现代伊拉克最野蛮的地区进行救援。

不祥的占星運勢顯示出惡兆，他與未來的妻子不會有好下場，但這名認真的單身漢無所不用其極，矢志要得到他夢寐以求的家庭。

根据斯里尼瓦斯-罗摩占陀罗-希拉斯教授的真实故事改编。S-R-希拉斯教授因同性性行为被曝光而被工作已久的大学停职，身处舆论的漩涡之中，而这场突如其来的风暴给他的内心带来的改变却远不止于此。 本片荣获两项最佳男主角奖项，和一项最佳男配角提名。

开场分别介绍Kuttan，以及他的堂兄妹Divya和Aju，他们三人在童年时期就建立了友好关系，离开学校后各奔东西。在堂妹Divya嫁给Das后，重新团聚在班加罗尔。故事围绕他们在班加罗尔的生活而展开…

婆罗门出身的男生和基督教家庭的女生谈起了恋爱，想结婚的他们在父母面前维持的假象一戳即破……

阿尔方斯妮（葛丽泰·嘉宝 Greta Garbo 饰）本是一位出生在偏僻小村庄里的穷苦姑娘，被贪婪的父亲卖给了商人，之后一路辗转颠沛流离来到了繁华的大都市巴黎。凭借着迷人的美貌和过人的智慧，阿尔方斯妮一举成为了巴黎上流社交圈内的交际花，整日生活在荼蘼的灯红酒绿之中，人们送给了她“茶花女”的美誉。纸醉金迷的生活迅速的消耗了阿尔方斯妮的健康，使她患上了肺病，善良的公爵因为阿尔方斯妮酷似她不久之前去世的女儿，而对她伸出了援手。 一次偶然中，阿尔方斯妮邂逅了作家小仲马（罗伯特·泰勒 Robert Taylor 饰），情不自禁的坠入了情网。然而，两人的经历和身份悬殊实在巨大，这段感情将注定不会有一个圆满的结局。

本片讲述了16世纪莫卧儿王朝第三代君主阿克巴大帝（里提克·罗申 Hrithik Roshan 饰）与妻子拉杰普特族公主珠妲（艾西瓦娅·雷 Aishwarya Rai 饰）之间的爱情故事。 为了建立一个幅员辽阔的帝国，阿克巴大帝一路征战，在征服了兴都库什山脉之后，他将帝国从阿富汗扩张到孟加拉湾，从喜马拉雅山到哥达维利河。作为一个终身信奉伊斯兰教的君主，为了表示他对印度教徒的尊重，阿克巴与印度教拉杰普特族联姻。这赢得了为他效忠的拉杰普特族人的跟随，给了他很大的力量支持，然而拉杰普特族公主珠妲却不甘于成为宗教政治和宫廷争斗中的棋子，深藏怨恨。征战疆场上的阿克巴大帝最终又能否赢得公主珠妲的心，获得真爱。

《星际劫难》总耗资超过6000万美金，电影将《星球大战》的恢弘景象再现眼前，影片运用了最新的技术，成功地表达了以往电脑所难以表达的人类面部表情、生命的真实感，赋予电脑CG动画全新境界。片中人物每个表情、每个动作，都要动用成百上千的CG画面整合而成。更值得一提的是该剧的视觉效果，影片中大场面枪战镜头及格斗场面也给人异常震撼的声效感觉。 金牛座星球遭遇了一个大灾难，面临了毁灭的命运。只有两个人逃脱了这次灾难。他们来到了方舟避难。方舟却被斯多瑞恩夺取了，但是方舟必须要有神职人员才能够控制。阿美琳是神职人员阿米尔的女儿，她被斯多瑞恩的指挥官收养了。随着故事的发展，阿美琳得知她是唯一一个能控制这艘方舟的人。于是，斯多瑞恩想说服阿美琳帮大家离开星球；但是西文恩人却想带阿美琳到另一艘被他藏起来的方舟，两个人一起安全离开星球。究竟阿美琳会如何选择呢？是选择自己离开而把所有人留在星球上呢，还是帮大家一起逃离呢？

潘是个勤奋的人。自从他父母去世后，他辍学开始工作来养活自己和他的小弟弟。潘先生在他租来的房子前开了一个露天货摊，但几乎入不敷出。那是在他的一个顾客招募他为他朋友拥有的一家酒店当厨师之前。酒店老板通(音)是一位年轻而头脑发热的商人。他们实际上以前见过面，他们对彼此的印象不好。当潘发现通是这家旅馆的老板时，他立即拒绝在那里工作。然而，通要求他做这项工作，他不想被人看不起，所以决定接受这个职位。通一尝就喜欢上了潘的菜，但又不想丢脸，就跟潘说菜难吃。这两个人见面总是打架。但是过了一段时间，他们每天的争吵发展成了一些特别的事情 Poon is a hardworking guy. Ever since his parents passed away, he quit school and started working to provide for himself and his little brother. Poon opened a somtum stall in front of his rented house but could barely make ends meet. That was until one of his customers recruited him as a chef for a hotel owned by his friend. The hotel owner, Tian, is a young and hot-headed businessman. They had actually met each other before and they had bad impression of each other. When Poon found out that Tian was the hotel owner he immediately refused to work there.  However, Tian challenged him to do the job and, not wanting to be looked down at, he decided to accept the position. Tian fell in love with Poon's food once he tasted it but didn't want to lose his face, so he told Poon that the food was horrible. These two always fought when they see each other. But after some time, their daily spat grew into something special.