一代人
塔德乌什·罗姆尼斯基,乌尔舒拉·莫杰任斯卡,塔杜施·扬查尔,雅努什·帕卢什凯维奇,理夏德·科蒂希,罗曼·波兰斯基,卢德维克·伯努瓦,索菲娅·切尔文斯卡,兹比格涅夫·齐布尔斯基,菲耶夫斯基·塔德乌什,齐格蒙特·霍博特,采扎里·尤尔斯基,布罗尼斯瓦夫·卡索夫斯基,奥古斯特·科瓦尔奇克,耶日·克拉索夫斯基,Zenon Laurentowski,Stanislaw Milski,Juliusz Roland,汉娜·斯卡尔赞卡,Janusz Sciwiarski,卡齐米日·维赫尼亚日,Zygmunt Zintel,
在被德国占领的波兰,年轻一代长大了。Stach就是其中一个,他和朋友们起初只是自发地从事危险的抵抗活动,总的来说是无组织无目的。后来在一个慈祥的共产党干部的带领下,他接触到了地下组织。当看到那个勇敢美丽的青年领袖Dorota时,他就加入了进去并与Dorota坠入爱河。接着Stach就投入反抗压迫和屈辱的危险活动中,直到要对其他人的生命负责时他就变成熟了。不幸的是Dorota被逮捕,Stach悲痛欲绝。与此同时,地下抵抗组织招募了新成员,新的一代正在成长。
二十岁之恋
让-皮埃尔·利奥德,玛丽-弗朗丝·皮西尔,克里斯蒂娜·加约尼,杰罗尼莫·梅尼耶,埃莱奥若拉·罗西·德拉哥,芭芭拉·拉斯,兹比格涅夫·齐布尔斯基
五位著名导演,各自执导了一段关于二十岁恋情的短片。 一、特吕弗《安托万与柯莱特》:《四百下》男主角安托万人生故事的延续,安托万暗恋上比自己年纪稍大的柯莱特,柯莱特却只把他当作弟弟般地看待,安托万的早恋就此无疾而终。 二、瓦伊达《华沙》:少女爱上了在动物园里见义勇为的男子,而力邀他参与家里的青年朋友聚会。不经意间,一些场景细节勾起了男子战时的记忆伤痕…… 三、罗西里尼(无标题):可怜的下层女孩不甘心充当第三者,却被成熟老练的贵妇寥寥数语击溃了心理防线…… 四、石原慎太郎(无标题):年轻的工人暗恋上气质非凡的女子,尽管每天都会在路上碰面,他却不敢有所表达而沉耽于幻想,被压抑的强烈欲望最终引发为悲剧。 五、马克斯•奥菲尔斯(无标题):借助于往昔青春岁月的甜蜜回忆,一对夫妇逐步修复彼此之间的关系裂痕。
绳套
格斯塔·霍洛贝克,Aleksandra Slaska,特蕾莎·什米盖武夫娜
A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.
玩偶1968
马里乌什·德莫霍夫斯基,贝娅塔·蒂希基维茨,菲耶夫斯基·塔德乌什,Jadwiga Gall,维斯拉夫·格拉斯,卡里娜·谢鲁斯克,Jan Koecher,扬·克雷奇马尔,塔德乌什·孔德拉特,Halina Kwiatkowska,安杰伊·瓦皮茨基,扬·马休斯基,Józef Pieracki,Janina Romanówna,Anna Seniuk,Irena Szramowska,Wladyslaw Dewoyno,卢德维克·伯努瓦,克雷斯蒂娜.费尔德曼,Aleksander Fogiel,Andrzej H
The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
萨拉戈萨手稿
兹比格涅夫·齐布尔斯基,伊加·琴布日斯卡,埃尔兹别塔·奇日弗斯卡,格斯塔·霍洛贝克,斯坦尼斯瓦夫·伊加尔,乔安娜·延德里卡,博古米尔·科别拉
拿破仑战争时期,一个军官发现的一本旧书上记载着跟他祖父阿方索·范·沃登有关的故事,沃登是瓦龙部队的队长,他要寻找通往莫雷纳的捷径。在小酒馆里,他邂逅了两个伊斯兰公主,她们引诱他,但他醒来却发现自己已身在绞架。他被神秘人拯救,回家家乡之后,等待他的是更惊人的消息……
砂制时镜下的疗养院
扬·诺维茨基,塔德乌什·孔德拉特,伊雷娜·奥斯卡,哈利娜·科瓦尔斯卡,格斯塔·霍洛贝克,Mieczyslaw Voit,博泽娜·阿达梅克,卢德维克·伯努瓦,Henryk Boukolowski,Seweryn Dalecki,Julian Jabczynski,Jerzy Przybylski,维克托·萨德茨基,Janina Sokolowska,Wojciech Standello,塔德乌斯·施密特,Szymon Szurmiej,Jan Szurmiej,Michal Szwejlich,Pawel
哈斯的彩色电影,《萨拉戈萨手稿》的姊妹篇,个人觉得他的风格更适合彩色,此片要比《萨》更为出色。这是一次内心的历险。故事背景设在二战前期,一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩,以及他的父母所包围... 获奖:波兰电影奖最佳产品设计奖 戛纳电影节评审团奖并提名金棕榈
罪人回忆录
匹奥特·班扬,厄维拉·罗曼祖克
The 18th century tale of a youngster whose memories, recounted after death, are a long series of wrong moral choices ending up with his killing his evil alter-ego, that is committing suicide.