很有钱的青年妇女西尔维娅生活十分优裕，受到父亲和军官丈夫阿柯斯的宠爱。但是她不能生育。为了能继承她父亲的财产，她异想天开地建议阿柯斯和她的女友—个贫穷的犹太姑娘伊莱娜为她生一个孩子。大家惊奇过后就同意了。孩子出世，伊莱娜把孩子交给西尔维娅，自己十分悲痛。阿柯斯和伊莱娜真的相爱了，俩人难舍难分，生了第二个孩子。几年后，法西斯主义和排犹主义大行其道，伊莱娜处境危险。阿柯斯请求西尔维娅帮忙救救伊莱哪，西...

心理治疗师鲁本的梦境饱受“妖魔化”的名画侵扰，蒙娜丽莎、维纳斯全都成了骇人的噩梦怪物;若想一觉好眠，唯一的办法是偷走所有入侵他梦里的名画。为帮助鲁本脱离梦魇，他与四名身怀绝技的病人联手组团偷遍罗浮宫、泰特现代艺术馆等各大美术馆一场飞天遁地、瞒天过海的疯狂盗窃计划也就此展开...

因为一场事故，年轻人、老人、富人、穷人……原本不相干的一帮华沙人的命运，在关键的11 分钟内，被联系到了一起。从此，他们的人生轨迹改变。

哈斯的彩色电影，《萨拉戈萨手稿》的姊妹篇，个人觉得他的风格更适合彩色，此片要比《萨》更为出色。这是一次内心的历险。故事背景设在二战前期，一位年轻人乘坐一辆奇怪的列车去看望住在疗养院中垂死的父亲。但这个即将拆毁的地方唤起了他许多过去的回忆。他被过去的士兵、殖民地的雇佣兵、昔日生活中的女孩，以及他的父母所包围... 获奖：波兰电影奖最佳产品设计奖 戛纳电影节评审团奖并提名金棕榈

这部纪录片即讲述了NBA巨星诺维茨基如何从家乡的地区级联赛脱颖而出，一步步进入NBA并率领达拉斯小牛队勇夺2011年总冠军的成长历程。影片除了涵盖诺天王本人的自述外，还囊括了大量对其身边人物的采访以及珍贵的训练视频等资料，其中，湖人主力科比•布莱恩特、杰出控卫史蒂夫•纳什、中国小巨人姚明等明星球员亦均有亮相，绝对是篮球迷们不容错过的一场饕餮盛宴。

一次意外中，一只年幼的海豚误入了捕蟹陷阱，导致尾鳍严重受伤，幸运的它被一名小男孩发现之后来到了克里尔沃特海洋医院，在那里，它拥有了一个新的名字——温特，一段全新的生活在温特面前展开。 对于在海洋里生活的哺乳动物来说，尾鳍是何等的重要，有了尾鳍，才能够拥有游泳的能力，才能够在海水里下潜上浮，呼吸新鲜的空气。尾鳍受损的温特除非一辈子漂浮在海面上，否则就会因为窒息而死亡。为了拯救温特，一群技术高超的科学家们聚集到了一起，利用他们的聪明才智发明了人造尾鳍，装上了人造尾鳍的温特也因此而成为了勇气与希望的化身。

黑人男孩奥赫（昆东•亚伦 Quinton Aaron 饰）自幼父母离异，无家可归。不过，木讷的他却因为极强的身体条件和运动天赋，幸运地进入了一家私立基督教高中。虽然，他科科零分，但是一些细节却让他显得与众不同。一次排球比赛后，他主动收拾垃圾的行为，引起了陶西一家的注意。于是，陶西太太（桑德拉•布洛克 Sandra Bullock 饰）决定收养奥赫，并把他培养成橄榄球选手。陶西太太让他感受到了家庭的温暖。同时，陶西的儿子还帮助奥赫训练，使他很快地融入了橄榄球队的生活，不断激发运动的潜能。终于，在一次比赛中，他因出色的表现崭露头角，开始获得了球探的关注，随之带来了一系列的甜蜜和麻烦…… 本片根据迈克尔•刘易斯（Michael Lewis）的原著《弱点：比赛进程》（The Blind Side: Evolution of the Game）改编，取材自2009年美国国家橄榄球联盟（National Football League）选秀状元迈克尔•奥赫的非凡经历。荣获第82届奥斯卡最佳女主角奖（Sandra Bullock）。

玛戈特是一名年轻女子，在婴儿时期被母亲遗弃。她与纪录片摄制组一起前往一个与世隔绝的阿米什社区，寻找有关母亲和大家庭的答案。

Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

改编自基督家作家李·斯特罗贝尔(Lee Strobel)的畅销纪实小说，此题材也曾被拍摄为同名纪录片。 故事描述出生于二次大战婴儿潮的李·斯特罗贝尔(Lee Strobel)，出生于相信达尔文进化论得世代，相信人生的成功倚靠于自己的努力。他毕业于密苏里大学新闻系以及耶鲁法学院，学历极为亮眼，进入享誉全球的芝加哥论坛报工作。 然而，对李·斯特罗贝尔人生最大的震撼，反而是妻子进入教会，决定成为基督徒。这带给家庭莫大的风暴与两人多次的争执，史特博认为要深入检视圣经与相关纪录之真实性，以及这个信仰真伪...他开始与妻子到教会，为的是更多调查基督教...。

Te Ata (TAY' AH-TAH) is based on the inspiring, true story of Mary Thompson Fisher, a woman who traversed cultural barriers to become one of the greatest Native American performers of all time. Born in Indian Territory, and raised on the songs and stories of her Chickasaw tribe, Te Ata's journey to find her true calling led her through isolation, discovery, love and a stage career that culminated in performances for a United States president, European royalty and audiences across the world. Yet of all the stories she shared, none are more inspiring than her own.

约翰（摩里斯·切斯塔特 Morris Chestnut 饰）和劳拉（雷吉娜·赫尔 Regina Hall 饰）是一对无法生育的夫妻，多年后决定寻找年轻的代理孕妈妈安娜（洁丝·辛克莱 Jaz Sinclair 饰），他们满心欢喜地迎接她为他们诞下新生宝宝。然而年轻的安娜要的不只如此，她逐渐显露企图，闯入他们的生活，想成为婚姻中致命的第三者。

安保专家卡特（韦斯利•斯奈普斯 Wesley Snipes 饰）在阻止一次超市抢劫案时，因为处理失误导致妻子身亡，自感愧疚的卡特状态低沉。好友试图帮助他重新振作，推荐卡特担任航空公司安保教师一职，卡特乘坐航班前往洛杉矶公干。在同一班客机上，著名恐怖分子查尔斯•雷恩（布鲁斯·佩恩 Bruce Payne 饰）也在FBI的押解下前往加州受审。穷凶极恶的雷恩早已在空乘人员内部安插了自己的手下，一班匪徒在飞机起飞不久即控制了飞机，孤立无援的卡特放掉了燃油迫使飞机降落在一处小型机场，当地警方在FBI到来前试图控制局势，卡特反被他们误认为是恐怖分子一伙，他如何凭借一己之力力挽狂澜，拯救机上百多人的生命？

在一座偏僻的农场上，有一位男子慢慢地走向死亡。他卧病在床，挣扎地吸吐他最后几口气。他的妻子逐渐被沉重巨大的哀伤压垮。两人的一双儿女Louise（玫琳爱尔兰Marin Ireland饰）和Michael（小迈克尔阿伯特Michael Abbott Jr.饰）回到农场上，要协助母亲走过伤痛并和父亲道别。Louise和Michael很快地注意到母亲不单只是被悲伤所困扰。随着姊弟两人的悲伤加剧，他们开始感受到一股黑暗力量，恶梦般的事件接踵发生，这故黑暗力量似乎想要吞噬他们一家人。

Safety, an Original Film, premieres tomorrow on DisneyPlus. Inspired by the story of former Clemson University football safety Ray McELrathBey, the film follows a young man facing a series of challenging circumstances, whose dedication helps him triumph over adversities.

根据斯泰纳姆同名自传改编，将聚焦她如何从一名普通记者成为美国女权运动的先驱。

“Bad Monkey” tells the story of Andrew Yancy (Vince Vaughn), who has been bounced from the Miami Police Department and is now a health inspector in the Keys. But after stumbling upon a case that begins with a human arm fished up by tourists, he realizes that if he can prove murder, he’ll be back in. He just needs to get past a trove of Floridian oddballs and one bad monkey.

故事讲了一宗谋杀案的调查，线索跟一本书中所记载的怪异案件非常相似....

萨宾娜30岁了，她的母亲和祖母都试着为她寻找结婚对象却未果。有一天，她遇见了一位酷似电影明星的年轻男子，并对他产生了兴趣。他的出现惊喜连连，使三位女性的生活发生了变化…… A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women's nature. Written by Warsaw Film Festival 本片是导演Borys Lankosz的故事长片处女作，也是纪录片导演Lankosz首次拍剧情片。该片是击败了《商场女孩》和《疯人院》两部电影获得的参加奥斯卡最佳外语片角逐的机会。

索兰的新浪潮三部曲之二。另两部是《巴纳巴斯考斯事件》和《拳击手与死神》。 The action of the film takes place in the course of one night at a fashionable nightclub in Bratislava. The leading characters are two young girls who are spending their holiday in Bratislava and two boys who live there.

在交响乐团负责敲击三角铁的小人物高斯庸碌无能，练习还经常缺席，然而上天仿佛特别眷顾他，让他当上乐团领导，还有伊人加持；本来傻兮兮没有自信的他也开始傲慢起来，甚至表现出独有的艺术野心。人世的荒谬不在成败是否有理，而在于不论成败，最终个人命运还是半点不由人。高斯作为个案，凸显的岂止是国家权力机器下的非人性？由于题材敏感，制作延滞达七年之久，而彼得苏兰也因本片成为一个个案，以讽喻作抗争，从此有了参考的座标。

与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

Renee（舒默饰）一直因为缺乏安全感而感到困扰。然而，一起意外过后，她开始相信自己是这世上最美的女人。她重获自信，并开始充实自己的生活，但如果她发现自己的外貌一直没有改变，又将发生什么呢？

恰逢1993年2月28日发生在卡梅尔山的悲剧事件30周年之际，本剧聚焦于韦科灾难的余波：对大卫教派幸存成员的审判和本土恐怖分子蒂莫西·麦克维的崛起。这部五集的限定剧还为美国民兵运动的升级提供了更广泛的背景，这为俄克拉荷马城爆炸案和1月6日美国国会大厦的袭击埋下 了伏笔。