法国中尉的女人
梅丽尔·斯特里普,杰瑞米·艾恩斯,希尔顿·麦克雷,埃米莉·摩根,夏洛特·米切尔,琳赛·巴克斯特,Jean Faulds,皮特·沃恩,科林·杰翁斯,丽兹·史密斯,佩兴斯·科利尔,约翰·巴瑞特,莱奥·麦凯恩,阿拉贝拉·韦尔,本·福尔斯特,安东尼·朗顿,爱德华·杜克,理查德·格雷弗斯,格雷厄姆·弗莱彻-库克,理查德·霍普,迈克尔·埃尔文,托妮·帕尔默,大卫·沃纳,艾伦·阿姆斯特朗,热拉尔·法奥康涅蒂,佩内洛普·威尔顿,乔治娜·黑尔
维多利亚时代的英国小镇莱姆,年轻的绅士查尔斯(杰里米艾恩斯 Jeremy Irons 饰)在海边的悬崖上邂逅了一个神秘黑衣女子(梅丽尔斯特里普 Meryl Streep 饰)。听当地人说,黑衣女子名叫萨拉,因为曾与一名法国中尉有染,所以遭众人非议,被称为“法国中尉的女人”。不过,查尔斯却对这位遗世独立的女人颇感兴趣,尽管他已经有了一个贤淑的未婚妻,并拟定了婚期,但他还是抑制不住萨拉的诱惑。两个人在几次试探后,终于开始幽会。萨拉对查尔斯讲述了她的遭遇和经历,但这一幕却被他人窥视,于是偷偷摸摸的私情面临公诸于众的危机…… 无独有偶,这段故事被改编成了同名电影,女主角萨拉的扮演者安娜与男主角查尔斯的扮演者迈克,也给戏中人一样,保持着若即若离的情人关系,只是结局却出人意料……
撒旦日记
Helge Nissen,Halvard Hoff,Jacob Texiere,哈兰德·黑勒曼,Ebon Strandin,约翰·梅尔,Nalle Halden,Tenna Kraft,Viggo Wiehe,Emma Wiehe,Jeanne Tramcourt,Hugo Bruun,埃利特·皮奥,Emil Helsengreen,维戈·林德斯特伦
标号人
Adele Reuter-Eichberg,弗拉基米尔·盖达罗夫,Polina Piekowskaja
Russie, 1905. Lasse de l'atmosphère antisémite de son village natal, la jeune Hanne Segal part à Saint-Pétersbourg rejoindre son frère Jacob qui, converti au christianisme, est devenu un riche avocat. Elle y retrouve aussi son ancien ami Sacha, entré dans un groupe révolutionnaire...
丹麦小村教堂
Ib Koch-Olsen
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
一屋之主
约翰·梅尔,阿斯特里德·霍尔姆,卡琳·内勒莫瑟,玛蒂尔德·尼尔森,克拉拉·舍恩菲尔德,Johannes Nielsen,彼得里娜·松内,Aage Hoffman,Byril Harvig,维戈·林德斯特伦,奥格·施密特,Vilhelm Petersen
维克托是个大男子主义者,在他眼里,妻子艾达所做的一切都是理所应当的。有一天,艾达被辞退了,心中更加无比愤懑,维克托的老奶奶和朋友们于是决定演一出好戏,让维克托反思自己过去的行为。
葛罗达的新娘
Einar Sissener,Tove Tellback,Stub Wiberg,Harald Stormoen,Alfhild Stormoen,Oscar Larsen,Einar Tveito,Rasmus Rasmussen,Sofie Reimers,Julie Lampe,Henny Skjønberg
麦克尔
沃尔特·斯勒扎克,马克斯·奥青格尔,诺拉·格雷戈尔
英俊青年麦克尔(Walter Slezak 饰)是画家苏莱特的专属模特,以麦克尔为原型,苏莱特创作出了精美的艺术作品,名声大噪,登门求画的人络绎不绝,但苏莱特为了保存和麦克尔的美好回忆拒绝出卖杰作。年轻貌美的女伯爵拜访苏莱特,请求后者为自己画像,麦克尔默默注视着女伯爵,四目交投之下,情意暗生,苏莱特思量之后决定为女伯爵作画,但创作不久因苏莱特无法描画女伯爵的眼睛而陷入停滞,麦克尔提笔代劳,女伯爵美丽的神色跃然画上……麦克尔与女伯爵相爱并逐渐离苏莱特而去,苏莱特承受着年青人的欺骗和背叛,将内心的悲苦呈现在画作上,受孤独煎熬的生命之火渐渐熄灭…… 本片根据赫曼·邦的同名小说改编,是电影史上最早涉及同性恋题材的作品之一。
复仇之日
Thorkild Roose,Lisbeth Movin,Preben Lerdorff Rye,Sigrid Neiiendam
故事发生在1632年的丹麦,一个地处偏远的小镇中正在进行一场残酷的处刑,一个年老的女人因为被指控为巫女,而面临着被活活烧死的悲惨命运。临死前,愤怒的老人设下了诅咒,对于负责行刑的牧师来说,邪恶的诅咒是无法伤害代表了正义的他的,可对于牧师的妻子安妮(Lisbeth Movin 饰)来说,眼前所发生的一切令她永生难忘。 自此之后,安妮仿佛变了一个人似的浑浑噩噩。安妮和牧师的婚姻里并没有爱情,牧师英俊的儿子却吸引了安妮的注意,随着时间的发展,两人之间的关系越来越近,最终越过了伦理道德的界限。牧师死了,牧师的母亲愤怒地指控,是安妮的“巫术”害死了自己儿子。按照惯例,安妮被绑上了火刑架,这似曾相识的命运让安妮猛然醒悟,诅咒,也许真的存在。
玛格丽特夫人的第四次婚姻
Greta Almroth,Einar Röd,Hildur Carlberg,Olav Aukrust,Emil Helsengreen,玛蒂尔德·尼尔森,Lorentz Thyholt,Kurt Welin
卡尔·西奥多·德莱叶这部喜剧引出心灵流变的轨迹,并在喜剧形式表现中要求夸张的转折与表演方式。他的简单主义从《总统》的办公室开始到玛格丽特夫人的屋舍,更趋向朴质。而对容貌的描写这里也有了开端。影片中的骗徒,终究抵抗不了良心的责备以及虚假婚姻阻隔与女友之间的真情。但有趣的是,被骗的老妇却早已察觉他的不怀好意但又绝非恶徒。反而是外力最后促使内在的圆满。
八哥
蒂莫西·奥利芬特,梅丽莎·麦卡西,斯凯勒·吉桑多,凯文·克莱恩,克里斯·奥多德,劳拉·哈里尔,戴维德·迪格斯,赵家玲,维罗尼卡·法尔孔,洛雷塔·迪瓦恩,斯科特·麦克阿瑟,金贝利·奎恩,南茜·德·梅奥,拉维·卡普尔,艾米莉·特里梅因,珍妮卡·贝尔格雷,汤姆·埃沃雷特,吴辛惠,欧文·阿特拉斯
在莉莉(梅丽莎·麦卡西饰)遭遇不幸后,一只椋鸟跑来霸占了她的花园,一场人鸟之间的地盘争夺战拉开帷幕,没想到的是,这也意外成了她情绪的出口,让她找回勇气修复人际关系,并再次学会如何去爱。
圣人文森特
比尔·默瑞,梅丽莎·麦卡西,娜奥米·沃茨,杰登·马泰尔,克里斯·奥多德,泰伦斯·霍华德,内森·科德里,金贝利·奎恩,斯科特·安第斯
玛姬(梅丽莎·麦卡西 Melissa McCarthy 饰)和儿子奥利弗(杰顿·李博赫 Jaeden Lieberher 饰)两人过着相依为命的生活,在巨大的生活压力之下,玛姬不得不在医院里加班加点的工作赚钱,自然也就无力照看年幼的奥利弗。 于是,玛姬将奥利弗托付给了邻居文森特(比尔·默瑞 Bill Murray 饰)——一位看上去风度翩翩的优雅老人。然而,真实的文森特脾气暴躁,酗酒如命,沉迷赌博,甚至和脱衣舞女达卡(娜奥米·沃茨 Naomi Watts 饰)一起带着奥利弗去夜总会鬼混。奥利弗目睹了文森特的种种“恶行”,却用一种孩童式的善意目光进行着解读,随着时间的推移,文森特和这个小男孩之间建立起了坚实的友谊。