In this futuristic sci-fi film, based on the legends of the Golem, insane scientists have invented technology that give them total control over the half-human, half-android population of Earth. Trouble ensues when one of the creatures begins showing independent will. He must be destroyed lest he influence the rest. They pursue him, but somehow he continues to elude the evil doctors. ~ Sandra Brennan, All Movie Guide

改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗…… 本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。 这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。 1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。

故事发生在六十年代，讲述了长年在外报道第三世界内游击战争、革命演变的著名的通讯记者Jerzy (Zbigniew Zapasiewicz饰演) 生活分崩离析的全过程。角色取材于导演的好友，波兰家喻户晓的著名作家、记者Ryszard Kapuściński. 影片由Jerzy在一个娱乐性脱口秀作嘉宾开场，当晚当Jerzy回到家，却发现他的妻子已带着小女儿跟一个年轻男人不辞而别。Jerzy开始挽救自己的家庭……

影片描写刚从电影学院毕业的学生阿格涅什卡，雄心勃勃，立志拍一部以50年代劳动模范砖瓦工人布尔库特为主角的传记性记录片作为自己的毕业论文。为了弄清楚主人公是如何成为劳动模范，后来被控告判罪，而最终又恢复名誉的曲折传奇的一生，阿格涅什卡进行了大量的调查和资料的搜集，还访问了当时历史发生时的一些关键人物。最后她找到布尔科特的儿子，得知这位曾经被称为大理石人的英雄已经死了。就连公墓的墓碑上都没有留下布尔库特的名字。“在格但斯克造船厂工人骚动期间，布尔库特丧了命。人们再也找不到他的任何痕迹。从此，大理石人就成了一个幽灵。” 影片的题材颇为大胆，收场对主人公命运的说明曾遭剪刀伺候。旨在通过一个国家宣传机器制造模范工人的神话，揭露了压制自由的体制对人性的摧残和对纯真百姓的欺骗，用纪录片的风格展现了一个冷酷的现实，让人联想到70年代的状况。本片导致瓦依达多年被禁止拍片，但在数年后仍然拍出了续集（铁人）。

讲述卡罗尔、莫里斯和马科斯三个好朋友办工厂梦的过程，真实冷静的展示了波兰资本主义初期残酷的社会画卷。

一名神秘女子讲述波兰历史上影响力最大的黑帮老大之一——尼科德姆·“尼科斯”·斯科塔卡克的崛起与覆亡，灵感来自真实故事

两个少女，一个生在波兰，一个生在法国，同样的相貌，同样的年龄，她们也有一样的名字：薇罗尼卡。她们都那样喜欢音乐，嗓音甜美。波兰的薇罗尼卡非常喜欢唱歌，唱高音特别出众。她觉得自己并不是独自一人生活在这个世界上，没想到一天她真的遇到一个样子跟她一模一样的女孩，可是她自己却在一次表演中心脏病发暴毙在舞台上。此时身在法国的薇罗尼卡正沉醉在与男友的欢愉中，突然她觉得特别的空虚难过。此后她的生活中便常常响起一段极其哀怨的曲子，她爱上了一个儿童读物作家。一次与男友聊天的过程中，她发现了在波兰拍的照片中，出现了一个与自己极为相似的女子，此时她才深深相信，世界上还有另外一个自己存在。

The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

Jacek Lazar（米罗斯洛·巴卡 Miroslaw Baka 饰）是一个二十一岁的男子，他在街上游荡，吓走广场上的鸽子，在天桥上朝底下的汽车扔石头，在照相店让人将他口袋里那张已经出现了折痕的照片放大，是一个小女孩的照片。Waldemar Rekowski（Jan Tesarz 饰）是一个普通的的士司机，调戏年轻女子，捉弄乘客，故意按喇叭惊吓动物，他的下一个乘客是Jacek。Piotr Balicki（Krzysztof Globisz 饰）是一个年轻的律师，认为刑罚并不能防止犯罪，而防止犯罪正是法律的目的，他刚刚通过律师考试，他为杀人犯Jacek辩护。Jacek坐上了Waldemar的的士，他们开车到野外，Jacek用一条绳子勒死了司机。Balicki极力为Jacek辩护，希望避免死刑，但Jacek最后还是被判处了死刑。临终前，Jacek和Balicki长谈，说起因为他和一个卡车司机喝酒，致使卡车司机开车碾死他妹妹的事情......

托马斯是位年逾花甲的医生，没有宗教信仰。他一直怀疑自己身患重病。于是，他开始思考生与死的意义。答案——或者说迹象——出其不意地始于医院监护室……影片题目灵感来源于华沙的城市墙壁涂鸦。生命是悲剧性的矛盾体，本身就是通往死亡的旅程。 赞努西作品《爱在山的那一边》同一个故事的另一个版本，剧情的重心转到了意外发现自己罹患绝症的老医生身上。透过主角的挣扎，这部探讨生命、死亡、爱与救赎的「临终电影」，沈稳有力地道出赞努西对哲学与伦理学的省思，参与过不少赞努西电影的老牌演员Zbigniew Zapasiewicz表现可圈可点。 《爱在山的那一边》:年轻的男主角，挣扎于应该改作服侍上帝的修士，还是回到医学院继续未完成的学业，他千方百计地寻找答案，甚至以危险的方式试炼自己，结果不但让相依为命的哥哥担忧，也连带影响了他和女友的感情。他向一个偶然认识的老医生提出他的疑惑，没料到这位步入生命终结的老人，在最后一刻意外帮助了男主角从自己强加的道德沮丧中挣脱出来。

A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the US ties up with the world- renowned symphony conductor. As it turns out he was once in love with violinist's mother. The conductor, a slightly unstable hypochondriac, returns to Poland to lead the provincial orchestra. He also tries to revive old love affair using the violinist as a surrogate of her mother. Her husband is resentful of the conductor for both personal and professional reasons.

萨宾娜30岁了，她的母亲和祖母都试着为她寻找结婚对象却未果。有一天，她遇见了一位酷似电影明星的年轻男子，并对他产生了兴趣。他的出现惊喜连连，使三位女性的生活发生了变化…… A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women's nature. Written by Warsaw Film Festival 本片是导演Borys Lankosz的故事长片处女作，也是纪录片导演Lankosz首次拍剧情片。该片是击败了《商场女孩》和《疯人院》两部电影获得的参加奥斯卡最佳外语片角逐的机会。