她和她的航天员
玛达琳娜·波扎斯卡,格里高兹·达米茨基,凡妮莎·亚历山大,阿格尼兹卡·旺格,马格达莱娜·谢莱卡,安娜·切希拉克,Andrew Zhuravsky,杰德泽伊·海克纳尔,安杰列·查拉,Jakub Sasak,Daria Polunina,Zofia Jastrzebska,Anton Solovey,Artem Manuilov,Helena Rzasa
失踪30年后,这名航天员回归,失散的爱人因此重燃爱火,而一家公司也对他产生了兴趣,想要弄明白他自己没有变老的原因
巴寇亚克之仇
拉法尔·扎维鲁查,达努塔·斯腾卡,乔瑟夫·帕夫洛夫斯基,安东尼·帕利基,让·弗里兹,巴特罗米耶·托帕,斯齐蒙·博布鲁夫斯基,杰尼斯·查比尔,Zofia Domalik,Joanna Kocyla,Damian Majewski
After his brother dies in a car crash, a disgraced MMA fighter takes over the family nightclub and soon learns his sibling's death wasn't an accident.
无人呼叫
Zofia Marcinkowska,Henryk Boukolowski
50年代-60年代初波兰电影学院派的经典作品之一,堪称与同时代意大利导演安东尼奥尼的《奇遇》相比,改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
亲亲偷心人
马太乌兹·科西基维奇,拉法尔·扎维鲁查,Agnieszka Wiedlocha,Zofia Domalik