An action filled account of an Ex FBI negotiator who uses all his skills to save a jumbo jet headed for Los Angeles California from the terrorists who have placed a bomb on board.

异种女子夏娃（娜塔莎·亨斯特里奇 Natasha Henstridge 饰）引起巨大的混乱，她的死并未终结，而是新的噩梦的开始。她在临死之际产下一个婴儿，研究微生物的阿波特博士（罗伯特·尼伯 Robert Knepper 饰）冒死将婴儿救下。这个名叫莎拉（桑妮·马布里 Sunny Mabrey 饰）生长迅速，平均每天长6寸，体内的基因比塞尔和夏娃更佳完善。阿波特全力研究莎拉基因的秘密，他找到学生迪恩（罗宾·杜恩斯 Robin Dunne 饰）协助他的工作，并希望凭借这项研究获得诺贝尔奖。但是这注定是一项危险的实验，莎拉的本能不可避免苏醒过来，新的危机再次袭来…… 本片荣获2005年DVD Exclusive最佳摄影奖。

Me Mind Y 2023 Next Project 关于工作，像North Nam这样的婚礼策划师可能已经办了百场婚礼。但是多年没有伴侣，爱情就枯萎了。 当你遇到对的人时怎么样？我最喜欢的类型是这个人…他客户的新郎！ 暗恋一个人并没有错，但暗恋一个已经名草有主的人是错的，尽管North Nam心里很清楚，却因为Lam而陷入困境，就此婚礼策划师对新郎一见钟情，反而是新郎要帮他安排婚礼。 还是得近距离追寻他才能推进工作 因为新娘似乎对这场婚礼完全无动于衷。此外，新郎喜欢放下钩子并猛拉他。或者这场婚礼的背后会发生什么？

戈弗雷是一个深受个人悲剧创伤和内疚的人的故事，他以一种深刻的方式来处理这个问题：他决定成为除了他自己以外的任何人。一天，他扮演了一个英国艺术评论家，然后是一个诗人，接下来是一个城市涂鸦艺术家，一个古巴萨尔萨舞者和许多其他诙谐的角色。戈弗雷的应对机制让他保持清醒，但他是一个完全不知道自己是谁的人。萨拉·达什是一位聪明、有见地的作家，有着作家的障碍，她与自己的自我意识斗争，在画廊开幕式上偶然发现了他。莎拉对自己的性格很感兴趣，她试图揭开戈弗雷的神秘面纱，同时利用他写了一部新小说。两人之间建立了一种脆弱的友谊，这种友谊的特点是幽默、辛酸、自我反省，以及两个受伤的人能够帮助彼此疗伤的决心。

它跟随劳拉从一群狂热者那里寻求治疗，在那里，一个驱魔人将试图通过让一个无辜的女人经历地狱来拯救她的灵魂。

不祥的占星運勢顯示出惡兆，他與未來的妻子不會有好下場，但這名認真的單身漢無所不用其極，矢志要得到他夢寐以求的家庭。

艾伦、瑞德和斯米蒂在泽西海岸度过盛夏，漫步在木板路上时陷入困境。但他们发现了宝藏，这使得朋友们的怀疑和暴力升级。

香港高级警司罗聪天触犯贪污条例，被迫逃往美国，其子罗宾在港夺得黑帮名册，赶往美国交给聪天，希望能洗脱父贪污的罪名，黑帮杀手亚健、小文追踪至美国。摧花狂魔魔鬼鱼四处作案，残害少妇。罗宾之弟米高和街头女霸王大姐大之妹一同遇害，罗宾与大姐大发誓要掀到凶犯。亚健、小文勾结美国黑帮暗杀了聪天，但名册却失踪，追查魔鬼鱼的罗宾又被亚健一伙追杀，在其腹背后敌之际，邂逅了聪天的义女珊珊，得知名册由她保存，罗宾与大姐大在警方的配合下消灭了魔鬼鱼，亚健一伙也被绳之以法。最后罗宾携带名册，只身上路……

Phobia is a 2017 British/Italian horror anthology film produced by Tony Newton.The film delves into the horrors of an individual phobia via each segment.

The first Nepali woman to summit and descend Mount Everest — now a single mom working at a Connecticut Whole Foods — heads back to Everest to make a better life for her two daughters.

Real-life adaptation of the jewellery robbery that occurred in Kasargod. The case took a 5 member team from the Kerala Police to a dreaded village in Uttar Pradesh where they risked their lives to nab the culprits.

单亲妈妈凯西带着儿子柯迪，前往已故姐姐的家帮她善后。柯迪是一名早熟内向的八岁男孩，不善于和同年龄的小孩相处，因为凯西和相差多达12岁的姐姐断绝联络，令柯迪对这个阿姨一无所知，阿姨的退休老兵邻居戴尔，反而成为他的新好友。

Shivani Shivaji Roy is back and this time she's on the trail of a 21 year old merciless villain who targets women.

八个人去参加鸡尾酒会时与伊朗原籍保安一起被困于电梯中。其中包括一个胖子白领，一个帅哥金领带着自己的主播未婚妻，一个孕妇，该大楼的老板和自己的小孙女，一个有幽闭恐惧症的喜剧演员，还有个衣着土气的大妈。在他们焦灼地等待援救时，发现电梯里有个炸弹。

影片由尤金·科特亚伦科执导，《怪奇物语》演员乔·基瑞主演，他在片中扮演的是一个为了寻求刺激，在网上直播虐待乘客的网约车司机。

伊丽莎白·莫斯将与《使女的故事》导演戴纳·里德再度合作，主演后者执导的新片[兔子快跑](Run Rabbit Run，暂译)。剧本由《凛冬将至》小说作者汉纳·肯特原创构思，莫斯饰演的母婴医生坚信活着与死亡的区别，但在注意到小女儿的奇怪举止后，她必须挑战自己的价值观，面对自己的鬼魂。

n Hinduism, Lord Ram is also addressed as Adi Purusha. Prabhas will be seen playing the role of Lord Rama and Saif Ali Khan will play the role of Lankesh, the demon King Ravan, in the film.

An ambitious lawyer kills her gardener by mistake, fearing her chances with the law and the impact this will have on her career at a prestigious firm, she turns to her best friend to help her get rid of the body.

拉杰维尔（维奈·维尔马尼 Vinay Virmani 饰）出生在一个非常虔诚的锡克教家庭之中，但是和大部分小孩不一样，拉杰维尔性格非常的叛逆，他不愿意留长发包头巾，为了这些事情，他和父亲达维许（阿努潘·凯尔 Anupam Kher 饰）之间发生过无数次的争吵。 达维许希望拉杰维尔能够完成大学的学业，然后回到家里打理家业，可是拉杰维尔却对打曲棍球有着格外高昂的兴致。一天，在和伙伴们一起打球的时候，拉杰维尔遭到了对手对于他的家族的侮辱，愤怒的拉杰维尔决定组织一支曲棍球队，参加比赛以击败对方。拉杰维尔的这一决定当然遭到了父亲的强烈反对，他不仅禁止他再打曲棍球，还不允许他再和他的那些朋友们来往。

当人类龙卷风和美食评论家丽芙被诊断出患有“灾难性健康”时——她被困在澳大利亚，危及她在纽约的梦想工作——她把自己的身体放在了一个激进的健康之旅中，拼命地康复回家。

Te Ata (TAY' AH-TAH) is based on the inspiring, true story of Mary Thompson Fisher, a woman who traversed cultural barriers to become one of the greatest Native American performers of all time. Born in Indian Territory, and raised on the songs and stories of her Chickasaw tribe, Te Ata's journey to find her true calling led her through isolation, discovery, love and a stage career that culminated in performances for a United States president, European royalty and audiences across the world. Yet of all the stories she shared, none are more inspiring than her own.

在乔治亚州一个寂静的小镇上，一次偶然的暴力行为给 30 岁的安迪·奥利弗和她的母亲劳拉带来了意想不到的连锁事件。渴望得到答案的安迪踏上了危险的横跨美国之旅，并逐渐走进家人隐藏在内心深处的黑暗秘密。

Nick和Nora 这对搞笑侦探夫妻档总是连手出击调查案件。这回他们要着手的是一位发明家失踪的案子，要找出为何会失踪，且失踪到哪里去了……？ 相当成功地将喜剧和悬疑元素交融在一起。William Powell和Myrna Loy 饰演的夫妻档，是影史上第一对塑造成功的屏幕情侣组合！本片导演就是影坛上有『一次OK』之封号的 W.S. Van Dyke，本片他只花了两礼拜就拍摄完毕！由华人黄宗沾担纲摄影指导。本片独有的喜剧悬疑风，也成往后这类型电影的祖师爷。Albert Hackett和Frances Goodrich 根据 Dashiell Hammett 的小说改编成剧本。后来还拍摄了五部续集。

机械工程师巴瑞（Jay Gallagher 饰）原本和妻子安妮（Catherine Terracini 饰）、女儿梅根（Meganne West 饰）  过着快乐无忧的生活，但在一个不祥之夜，他们的人生发生了翻天覆地的巨变。沉睡中的巴瑞突然接到妹妹布鲁克（Bianca Bradey 饰）的电话，妹妹声称朋友们毫无征兆的情况下甚至错乱，变成了凶恶残暴、嗜血如命的恐怖丧尸。话音未落之际，巴瑞一家也遭到丧尸们的袭击。夜幕退去，曙光降临。布鲁克被两名全副武装的士兵解救，随后则被打晕带走。与此同时，逃难中的巴瑞则不得不面对妻子女儿尸变的悲惨一幕。 途中他遇到了其他的幸存者，为了搭救被困的妹妹，巴瑞选择穿越丧尸群集的恐怖地带……

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor

《远古入侵第二季》剧中人物发生重大变化：首先，Lucy Brown扮演的女主角Claudia Brown将不会在第二季中出现，取而代之的是一名新角色：Jennifer。和标准的英国淑女Claudia不同，新角色Jennifer美艳性感，大胆开放。根据Lucy Brown的介绍，Jennifer和Claudia应该是同一个人，因为第一季中时间线被改变，人物身份也随之变化。其次，将增加两名常规角色。Oliver Leek（Karl Theobald扮演）将取代被错误的时间线吞没的Claudia，成为Lester的新助手。他可能是本季中的主要反派角色。Caroline Steel（Naomi Bentley扮演）则是Connor的新女友。这个心眼里只想着钱的女人非常讨厌蜥蜴，也非常讨厌 "准情敌" Abby，下决心要 "除之而后快" 。有迹象表明，Caroline很可能暗中替Oliver Leek做事。

按照资本主义的理想化定义，在该社会体制下生活的人民可以自由自在的选择工作，并获得相应的报酬。但现实究竟如何？2008年金融风暴席卷全球之际，美国的土地上无数人因为丧失赎回权而被银行赶出家园；有的商人则与司法系统勾结兴建感化院，通过监禁犯错的少年大殓其财；还有的企业偷偷为员工投保，并待其死后赚其巨额赔偿金；而当成千上万的工人失业之际，华尔街的银行则向政府请求高达7000亿美元的救济金，这笔钱的最终走向却无人得知。纪录片导演迈克·摩尔（Michael Moore）再次拿起摄像机，试图揭穿政客和商人剥削民众、暴敛钱财的真实嘴脸…… 本片荣获2009年威尼斯电影节小金狮奖。

费弗森将军因儿子哈瑞，幼年只喜好诗词，怕有辱家族声誉，托好友苏顿大夫照应。 将军死后，哈瑞要求解除军职，因英埃联军将对苏丹用兵，被同伴视为懦夫，寄白羽毛羞辱他，但英军对苏丹用兵并不顺利，哈瑞赴埃及要求医生改容为当地土著，潜入前线，起原军团被回民打败，同伴非殉职即被俘入狱，哈瑞救好友杜伦斯上尉回英国阵地而被捕，旋即逃狱到哈土木营救同伴，英军终来到哈土木，哈瑞策动监狱暴动，控制一边城墙，英军收复哈土木，哈瑞成为大英雄。

在与老朋友大卫（欧玛·艾普斯饰）短暂相遇后，艾莉（尼娅·朗饰）试图挽救她与丈夫马库斯（斯蒂芬·毕晓普饰）的婚姻，却发现大卫比她想象中更加危险和不稳定。

第一次世界大战期间，回国度假的陆军中尉罗伊（罗伯特·泰勒）在滑铁卢桥上邂逅了舞蹈演员玛拉（费雯·丽），两人彼此倾心，爱情迅速升温。就在两人决定结婚之时，罗伊应招回营地，两人被迫分离。由于错过剧团演出，玛拉被开除，只能和好友相依为命。 不久玛拉得知罗伊阵亡的消息，几欲崩溃，备受打击。失去爱情的玛拉感到一切都失去了意义，为了生存，她和好友不得不沦为妓女。然而命运弄人，就在此时玛拉竟然再次遇到了罗伊。虽然为罗伊的生还兴奋不已，玛拉却因自己的失身陷入痛苦之中。 感到一切难以挽回的玛拉潸然离开，独自来到两人最初相遇的地点——滑铁卢桥上…

走火入魔的祭司创办了可伦教会，他预言审判日将近，暗中派助理到美洲最南端的火地岛挖出埋在地底四百年之久的吸血鬼天后替“主”杀掉“不洁”的罪人，渴望品尝鲜美且强而有力的心脏与腥血的女吸血鬼们，可不必学男吸血鬼般大费周章地先得到对方的“心”，再得到对方的“身”。绝顶滑头的吸血鬼天后莉丽（安吉·艾佛哈特 饰）藏身于一处修道院的地下室修练。寻欢客必须在牧师的带领下，先行“入敛”之仪，通过“棺木飞车”的考验。滑入地下室者，才得以成为上空女郎俱乐部的“入墓”之宾。对这些“鬼”迷心窍的恩客...

故事讲述2092年，胜利号飞船在太空中展开的冒险，金泰梨饰演胜利号船长，宋仲基饰演问题飞行员。

Grounded in South African folklore, this moody, menacing supernatural thriller follows a white family newly arrived on an inherited farm. Soon after moving in, they meet a mysterious local outcast named Lazarus, who carries with him a dark secret that will put everyone at risk. With evocative images, spine-tingling sound-design, and a terrific central performance by Tshamano Sebe, director Harold Hölscher conjures up both visceral scares and a heartbreaking narrative.

A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.

该剧集利用粉丝写给名人的信件，回顾这些极具影响力的人的生活。 出镜的名人包括奥普拉·温弗瑞、格洛丽亚·斯泰纳姆、珍·古道尔、斯派克·李、林-曼努尔·米兰达、斯蒂夫·旺达、亚历山德拉·莱斯曼、雅拉·沙希迪等。

丹尼尔·雷德克里夫有望加盟一部关于《侠盗猎车手》创始人的BBC电视电影，双方正在谈判中。丹尼尔将出演山姆·豪泽是Rockstar公司的总裁，他一手推出了《侠盗猎车手》、《马克·佩恩》等热门游戏，影片将围绕山姆与律师杰克间的官司展开。影片由《黑镜》导演欧文·哈里斯执导，预计4月20日即将开拍。