爱从来都不是一条平坦的路。没有人比卡莉和丽娜更清楚这一点了，在卡莉决定从医学院辍学，丽娜失去了律师的工作后，她们的关系变得更糟。这迫使他们搬到一个汽车旅馆，一个他们都不满意的情况。更糟糕的是，丽娜和抑郁症的斗争又回来了，卡莉决定用她剩下的钱买一台相机，这样她就可以把摄像作为一种职业。尽管他们的关系开始出现裂痕，但卡莉和丽娜发誓要修复已经破裂的关系，无论情况如何，无论机会有多大。但他们都像自己说的那样坚定吗?不幸的是，时间并不站在他们这一边。当肆虐世界的流行病出现在他们的城市，并开始把人们变成疯狂的食肉机器，卡莉和丽娜决定继续用他们的相机记录这一事件。这样一来，他们就被迫像从未有过的那样团结在一起.

马特是一位有影响力的人，也是新生儿朱利叶斯的年轻父母，他从他精神错乱的父亲的过去中发现了一个黑暗的秘密。他开始深入调查，结果打开了潘多拉的秘密盒子，揭开了比预期更多的家庭戏剧。马特的妻子丽芙(Liv)非常关心他，她会尽一切努力不失去他，但现在太晚了吗?

一位身无分文的母亲带着她的婴儿，踏上了漫长的旅程，去马尼拉寻找她的丈夫。但这次旅行不会是免费的，她必须出卖她的身体才能到达目的地。

《一场很（没）有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影！影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚，然而在工作过程中却困难重重，险象环生，发生了一系列令人啼笑皆非的故事。

Krishna来自一个传统的大家庭，妈妈在家中十分权威。他在工作的地方爱上了自己的上司Vrinda。Vrinda因为疾病无法生育，于是在答应求婚前让Krishna将这个情况告诉他的母亲等家人以避免日后的烦恼。可是Krishna因为妈妈当时特别想要孙女只好撒谎自己没有生育能力，设计了一系列谎言后终于和Vrinda结婚。然而谎言的终究是有代价的

影片讲述了前CIA成员因为手握重要情报，遭到了各方势力的追杀的故事。

三个年轻人应聘到一个地下实验室，照顾一群高智商儿童的学习和生活，随着项目进展，孩子们出现各种异样举动，基地的设备和智能向导频发故障，恐怖的游戏开始了。

该片编剧为法雷利和《绿皮书》的联合编剧Brian Currie及Pete Jones(《嘿咻卡》)，改编自纪实书《The Greatest Beer Run Ever: A True Story of Friendship Stronger Than War》，讲述John "Chickie" Donohue的真实故事：越南战争时期的1967年，26岁的前美国海军陆战队成员Donohue从纽约出发，去越南寻找正在当兵的三个儿时好友，给他们送去啤酒。

在90年代，惊险刺激的电视节目《美国角斗士》令观众兴奋不已。这部系列纪录片探讨了这档节目的成功以及它如何险些胎死腹中。

Bob and Greta De Jaegher are happily married for 40 years. They can look back on a rich and fulfilled life. Their 2 sons Steve and Carl have a successful life as well. Steve is a talented and recognized film-director and Carl is a promising cook. Steve's wife Billie wrote a bestseller about happiness and wants to start a family with her husband. Brother-in-law Rik, who works at the zoo, tries to pick up his life with his kids, after his wife died two years ago. To mark their 40th wedding anniversary, Bob and Greta organize a family weekend. They want to announce something very important. Their new plans are a sure hit for the family De Jaegher, but that's not the only thing - Wat had to be a cheerful gathering of the family, turns out to be something nobody expected.

The film follows Ava, a young bank professional who is devastated when her husband Dallas abandons a marriage she is determined to fight for. But then fate intervenes, revealing Dallas’ wicked deeds that have trashed their marriage, and once upon a time sabotaged Ava’s destiny to be loved by her true soulmate.

因流感感染的死者突然复活，变成丧尸开始疯狂撕咬活人，被咬后的活人纷纷变成丧尸，一场末日丧尸之战自此开始...

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

The life and career of famed American composer Stephen Foster.

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

马斯克为了改变世界所做的事比世上任何人都多。本纪录片访问和他关系最紧密的人，包括他的亲友和敌人，揭示是什么事件令他成为史上最富有的男人。

马洛（迪克·鲍威尔 Dick Powell 饰）是一名独来独往的私家侦探，某日，马里特（Douglas Walton 饰）找到了马洛聘他当自己的保镖，结果马洛却莫名其妙的挨了一顿打。之后，一个叫安（安妮·雪莉 Anne Shirley 饰）的女孩现身，她告诉马洛，他所遭遇的一切和她的继母格雷尔夫人及其所拥有的翡翠有着千丝万缕的关联。对翡翠深感好奇的马洛决定将这一连串的事件调查个水落石出。 在安的协助下，马洛对事件的全貌渐渐的有了了解，而隐藏在背后的，是安的父亲（迈尔斯·曼德 Miles Mander 饰）。不仅如此，不久之前，马洛受雇寻找一个名叫维尔马的女子的下落，这名女子竟然也被牵连进了翡翠的案件之中。

Vlad has just moved and joined one of the most famous magical schools in the world, where he meets fairies, witches, trolls and dwarfs. Him and his father are the first vampires in town, but he soon meets other special kids.

班是一名機械工，但他的夢想是當一個專業樂手。他暗戀老闆的女兒，假裝自己玩團來讓她刮目相看，他的同事也配合一起演戲。當真相被揭穿，班必須憑自己的真本領來追回心上人。

怀有身孕的艾丝特·伍德豪斯（艾丽西亚·拉斯姆森 Alexia Rasmussen 饰）完成了例行的孕期检查，谁知在回家路上遭到不明身份之人的袭击，凶手更残忍地攻击她的腹部，导致艾丝特尚未出世的孩子夭折。艾丝特孤身一人，无依无靠，当初的孩子也是通过精子库受孕得到。出院后她经人介绍了解到一个专为受过创伤的母亲而设的互助组织，并在此结识了热情友善的梅勒妮（阿莱克斯·哈维斯 Alexa Havins 饰）。艾丝特从新朋友那里感受到了久违的温暖和舒心，可是偶然机缘下她发现梅勒妮所谓的家庭不幸都只是谎言而已。她没有戳破谎言，反而自认为从中了解到梅勒妮的真实想法。 身在苦难中无法自拔的人们，隐隐希望得到残酷的救赎……

Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.

在日本大城市的某个角落，生活着一个与周遭格格不入的沉默女孩久美子（菊地凛子 饰）。她是灰暗的匆忙世界中难得一见的一抹亮色，只不过大多时候她都泯灭人群之中。每天上班时分，穿着工装的她宛如没有灵魂的木偶，目光呆滞地等待下班时间。同侪们聚在一起讨论时尚话题，她则蜷缩在茶水间为 上司准备茶水，心中隐藏着促狭阴暗的念头，只不过最终没有勇气实现。久美子是一只没有自由的工蚁，被上司使唤来使唤去，她空虚呆滞地行走，甚至不愿跟老同学们有任何的交流和接触。夜幕降临，逼仄的公寓内是她小而安全的理想王国。她用泡面喂兔子，最爱观看的是一部名为《冰血暴》（Fargo，1996）的电影。由于反复播放，录影带的画质已经不堪入目，她坚信剧中人所埋藏的宝藏一定存在。 世界那么大，她想去挖挖。

由于工作和家庭问题一团糟，罗伊·所罗门（迪兰·麦克德莫特 Dylan McDermott饰）和妻子丹妮丝（佩内洛普·安·米勒 Penelope Ann Miller饰）带着正处在青春躁动期的女儿杰西（克里斯汀·斯图尔特 Kristen Stewart饰）和小儿子本（伊万·特纳 Evan Turner 饰），从熙熙攘攘的大都会芝加哥来到了荒凉的北达科他州。他们在当地购买了一座名为“向日葵”的废弃农场，打算在这里展开新的人生。 然而，美好的憧憬往往为残酷的现实所打破。在农场修缮过程中，诡异的事件不断出现，杰西和弟弟仿佛也能看见一些成人看不到的东西。阴森的气氛压得这家人几乎透不过气来，但真正恐怖的事情还远远不止于此……

描述男主角准备带着家人到爸妈家，因为太晚出门一路狂飙，遇上前面白色箱型车挡住于是男主角拼命想超车，超过去还骂对方，这个神秘驾驶决定报复这一家人展开绝命碰撞。

看似是个完美的家庭，不需要工作的妻子有一个努力工作、风趣热情又顾家的丈夫，而丈夫的真正职业——贩毒却让她很不安。丈夫答应妻子不要把工作带到家庭里来，而情况却变得越来越糟，孩子们开始知道父亲真正的工作。妻子决定带着孩子们离开自己的丈夫，而想要离开却没那么容易。她最终开枪打死了丈夫，开始了新的独立自主的生活，用自己的双手去赚干净的钱。

年轻的服务员欢迎他的丈夫回到南非小镇的家中，丈夫在狱中呆了四年。最初他打算重新开始，可一桩杀人事件把他重新卷入暴力之中……

007（肖恩•康纳利 Sean Connery 饰）屡立战功，这次，他运用一系列新奇而惊人的武器，竟然单枪匹马就除掉了敌人的一支军队。由于007的出色表现，他获得难得的一个长假期。然而正在此时，魔鬼党却将军队的两枚重要的飞弹却被偷走，英国情报部无奈之下只好将正在炮温泉的邦德召了回来。经过调查，邦德发现这次计划的幕后首脑是狂人拉尔果（克劳斯•马利亚•布朗道尔 Klaus Maria Brandauer 饰），他正在准备世界核能勒索计划，而且，拉尔果还得到了最危险危险的女杀手法蒂玛和魔鬼党首脑布罗非的帮助。这次对邦德的考验异常严峻！

反对Salem的盟军比以往任何时候都需要团结起来。 但是在Ironwood拒绝继续疏散Mantle之后，我们的英雄们需要选择一条新的前进道路-只要他们能达成共识

In an attempt to piece together fractured memories of a drug-fueled night in the woods, three friends confront guilt, jealousy, and a supernatural presence that threatens to expose their true natures.

回墨西哥拜訪家人時，這個寂寞的男孩認識了一隻躲在爺爺牧場的神祕生物，接著展開畢生難忘的冒險旅程。

Follow a group of children who are evacuated to a Yorkshire village during the Second World War, where they encounter a young soldier who, like them, is far away from home.

影片由奥斯卡·罗勒根据由他自己创作的小说《出身》改编成电影。故事的时间跨度从二战结束后的1949年一直延续到80年代，讲述了联邦德国一个家庭祖孙三代人的故事。罗伯特·弗赖塔格(雷纳德·施莱舍)的祖父埃里希(约根·沃格尔)，一个战俘，在逃亡中将自己的妻子托付给另一个女人。罗伯特的父母，作家诺拉和罗尔夫，因一场桃色事件而相互折磨，并为了追求自我实现和自由恋爱而走向毁灭。罗伯特自己，在祖父母充满安全感的家庭和68年代被压抑的生活间成长，一直在艰难地寻找属于自己的幸福。by:yakubd.cc

一群情侣来到偏僻小岛上，他们想要在这里修复彼此之间糟糕的关系，万万没想到的是，有六个头的怪鲨鱼正在对他们虎视眈眈....

本片是《坏小子》的续篇，故事仍发生在迈阿密。迈阿密的毒品交易于一夜之间变得异常猖獗泛滥，各个贩毒集团之间的火拼也接连不断，为了调查贩毒集团内部的重重矛盾，迈阿密警局的一对“黄金”搭档，潇洒的劳瑞（威尔•史密斯）和神叨的宾纳（马丁•劳伦斯）再度临危授命，很快，两人摸清事情的来龙去脉：一股外来的贩毒势力正在侵入迈阿密的毒品市场，为首的毒枭野心勃勃，意图控制整个美国乃至欧洲的毒品交易，建立贩毒王国。 警方展开行动围剿贩毒集团时，一位DEA的女卧底西德妮（盖布瑞亚•尤妮恩）被毒贩劫持，对方开出的条件是，劳瑞和宾纳必须去干违法的事，这可难倒了两人，因为漂亮的西德妮不但是宾纳的亲妹妹，还是劳瑞的情人。

影片将通过展现海地女孩Clairvius Narcisse的个人命运，来探讨民族与幻想的边界。Narcisse是伏都教法术的牺牲品，巫术将她变成了僵尸。时间线将在1962年的海地与现代法国巴黎之间跳跃，而故事则围绕着15岁的Narcisse，和她身为巫毒女祭司的姨母之间进行。

本剧刚刚获得第64届美国金球奖最佳剧情类电视剧大奖。 15小时15分钟，手术室内外科医生让时间飞逝。然而在手术室外，时间把我们玩弄于股掌之间，甚至对最强的人来说 似乎都被时间捉弄，慢下来，徘回着，直至凝固。我们便停留在某一刻 无法向四周移动。 经历了第二季finale中的诸多变故后，每个人都在思考，都在回忆，都在考虑下一步怎么走。macdreamy意识到当初做了个错误的决定，但现在轮到 Meridith做令人伤脑筋的选择了，George还是没能用那三个字回应Kalie的炽烈的爱，Izzie也振作起来，只是不知她还能不能回来， Christina发觉自己是多么深爱Burk，每个人都有新的境遇。最后，第二季结尾悬念的主角——Meridith的内裤原来被Addison给捡到了。。。 欢迎来到Grace医院,west of Harvard最艰苦的外科住院医实习程序,医务新人最残酷的训练场.Meredith, Izzie 和 Christina,昨天还是学生,今天已是大夫.如果他们能挺过Grace医院的7年炼狱考验,她们就能成为合格的外科医生.然而摆在这三人组面前的, 不仅是艰苦的实习培训,她们还要应对善妒的男友和病态的父母,一夜激情和住房危机.面对重重难关,她们只有互相依靠.

The staff tries to deal with physical and emotional trauma in the wake of the deadly rampage.

英国摄制的间谍动作片，根据佛德烈．福赛的畅销小说改编，描述苏联的情报局计划展开一场惊天大阴谋，目的是要摧毁北大西洋公约组织和英美两国的友好关系。他们派出一名高级情报员乔装混入英国的一个小镇，伺机在当地的美军基地装置核弹加以破坏。迈克．凯恩饰演的英国间谍侦破这个阴谋，乃千方百计阻止奸计得逞。有趣的是饰演苏联特务的皮尔斯．布鲁斯南，日后却成为苏联特务的克星007。导演约翰．麦肯西处理气氛尚称紧凑，而冰天雪地的外景则增加了戏剧场景的可看性。

一对夫妇在被暴徒控制的中西部地带，只有通过与之斗争才能回家的故事，影片将于6月29日北美上映。

Documentary about several survivors of the Boston Marathon Bombing which took place April 15, 2013.