After unhitching her camper at a lakeside in the mountains, Faye finds her rhythm cooking meals, retrieving crawfish from a trap, and scanning her old box radio for a station. She looks expectantly at the approach of a car or the mailman, explaining to neighboring campers that she’s waiting for a childhood sweetheart she hasn’t seen in decades. When he does arrive, Lito and Faye, both widowed, spend an evening reminiscing about their lives, losses, and loneliness. A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.

埃文·彼得斯出演讲述澳洲女歌手海伦·瑞迪的传记片[我是女人](I Am Woman，暂译)。导演Unjoo Moon，影片聚焦上世纪七十年代澳洲知名女歌手海伦·瑞迪，片名出自瑞迪演唱的同名歌曲，该歌曲曾被选为当时女权运动的主题曲。蒂尔达·格哈姆-哈维饰瑞迪，埃文·彼得斯饰瑞迪的丈夫杰夫·沃尔德，也是她的经纪人。影片将在澳大利亚开机。

A genetics professor clones his dead wife, over and over, in a desperate attempt to get her back exactly as she was. 一位遗传学教授一遍又一遍地克隆着他死去的妻子，想让她完全恢复原貌。

凯伦•特尼（Lori Heuring 饰）的丈夫长久以来饱受病痛折磨，最终不治身亡。失去经济来源的凯伦，只好带着两个女儿：莎拉（Scout Taylor-Compton 饰）和艾玛（Chloe Moretz 饰）搬到宾西法尼亚州艾迪镇的卡顿矿山，一幢在她丈夫名下的房子里居住。 本想逃避伤心往事平淡地生活，然而厄运却挥之不去。卡顿矿山1913年的时候，曾发生过一起严重的瓦斯爆炸事故，许多幼小的童工被活埋于此，从此幼童的恶灵便徘徊附近，报复加害人类。不久，艾玛神秘消失，凯伦不愿再失去女儿，她和莎拉踏上了寻找艾玛的险恶路途……