Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

在执行一次破坏加油站的重大任务时，三名 Umkhonto weSizwe (MK) 自由战士意识到他们惨遭陷害，警察已经做好了随时逮捕他们的准备。警察对他们展开了激烈的殊死追捕，他们被迫躲在银行内避难。 这三人一致认为，有人 — 也许他们中的一人 — 是“Impimpi”，即出卖团队的警察间谍。问题是，这个人会是谁？在银行里，他们之间的压力和紧张感越来越强烈。所有参与其中的人都有一个共同点：为自由而战。三人意识到他们唯一的选择是被捕或死亡，他们决定就释放纳尔逊·曼德拉进行谈判。

坐落在薰衣草地里的是一个可爱的小农场，吉尔和杰克姐妹养育和爱护他们所有的动物——包括会说话的动物。做一个年轻的农民并不容易，但每天都有冒险和成长的机会。《可爱的小农场》将于6月10日在Apple TV+上播出

21岁的泰勒（罗伯特·帕丁森 Robert Pattinson 饰）十分的叛逆，与舍友挤在一幢狭小的公寓里，整日沉溺于书籍和尼古丁之中，脾气暴躁甚至因斗殴而被警察拘留。面对自己成功的企业家父亲查尔斯（皮尔斯·布鲁斯南 Pierce Brosnan 饰），泰勒充满了抵触，并且把哥哥的自杀和妹妹早熟的性格全部归咎于父亲对他们的疏忽。泰勒和艾丽（艾米莉·德瑞文 Emilie de Ravin 饰）的交往始于一场斗殴事件，泰勒因斗殴而被一名警察（克里斯·库珀 Chris Cooper 饰）拘留，几天后，泰勒的室友发现那名警察的女儿艾丽居然和他们在同一所学校。在室友的怂恿下，泰勒和艾丽开始了交往。 面对生活中的种种不幸，泰勒选择了用对抗去保护自己，而与他有着类似不幸遭遇的艾丽却用乐观豁达的态度去享受生活……

在这部根据热门电子游戏改编的动画剧集中，生性冲动的茶杯头和他那容易动摇的弟弟马克杯人将遇上一连串麻烦事儿。

这部动作犯罪惊悚片由尼日利亚演员 Tobi Bakare、Adesua Etomi-Wellington主演。这张以一群儿时的朋友为中心，他们每个人都在该国最大城市拉各斯的繁华街道和街区长大。

在美国费城，有这样一个凶杀调查组，他们面临的案件不是最近发生的，而是几年前甚至十几年以前的旧案，这样的案件，由于发生的时间久远，加之当事人已经难以寻找，各种犯罪证据几乎已经烟消云散，所以调查起来特别困难·这样的凶杀案，被形象的称为"Cold Case".