該片由俄羅斯國家杜馬的獨立議員斯·戈沃魯欣執導。 A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated then gang raped her. Local cops are incapable to undertake an adequate action against the scoundrels - prevented by the superior chief of the local police (militia) which is the dad of one the scumbags. The case is closed. The girl's grand-dad tired of endless circumlocution decides to take revenge of his own.

苏联版的“侠盗罗宾汉”的故事。因为可以接触到客户的财务数据，在保险公司供职的主人公可以推断出哪些客户是诈骗犯或腐败分子。他白天是朝九晚五的公司职员，晚上是“偷车大盗”。 他“抢劫和敲诈”那些坏人的汽车，并把获得的钱都匿名捐给慈善机构。他很快遇到了一个麻烦，他最好的朋友是个警察，正在竭力抓捕那个窃车贼... 目前看过梁赞诺夫最好的作品，一个俄版都市侠盗的故事，简单而精巧，情节紧凑人物丰富，喜剧桥段大都能够跨越语言的界限，之后几部著名作品中使用的的手法也基本成熟，尤其是其中追逐的桥段对空间的立体运用十分独特，效果超越同时期好莱坞公路电影。

年轻的耶和华见证会传教士亚娜在一次礼拜中被愤怒的当地人烧毁了她的礼拜场所，她感到十分震惊。她的丈夫大卫设法获得了这次袭击的闭路电视录像。但在他们与年幼的儿子同住的格鲁吉亚偏远村庄里，他对正义的追求引发了一系列事件，他们将发现这个家庭被完全孤立，完全听任敌对的当地警察的摆布。

Я шагаю по Москве 年轻的维修工瓦洛佳在送殉职的同事回乡的路上，绕道莫斯科停留一天，以便同《青年》杂志社的编辑见面。瓦洛佳在《青年》杂志发表了自己的第一篇作品。这一天瓦洛佳结识了新朋友，两个莫斯科青年，高利亚和萨沙，并遇到了年轻姑娘莲卡……

直升机驾驶员瓦里科在格鲁吉亚山区工作，为交通不便的群众运送生活物资、放映电影。当地群众十分爱戴他，称他“米米诺”。有一次，他遇到从前的同学，如今人家已是大型客机上的机长了。瓦里科心中十分羡慕，很想到大飞机上去工作。于是他辞去了山区的职务，只身来到城里。在城里，瓦里科受到许多冷遇。他与一个莽撞司机哈切基扬萍水相逢，两人在城里又经历了一系列奇遇。城里的人情冷漠使瓦里科很不自在，他不时地回忆起山区群众……

The movie follows the original tale in a somewhat loose fashion, but manages to retain the majority of the images and action. A seminary student must survive three nights in prayer guarding the deceased witch maiden while she, along with an army of hellish demons, try to lure him out of his Holy Ring of Chalk.

阿丰尼亚是个孤儿从小在农村生活，中学毕业后却被分配去技校，当上了水管工。工作让他觉得无趣，于是他酗酒、旷工，到处惹是生非。情场失意，还险些被单位开除。没有人能让他改过自新，他抛下一切，想回农村过简单纯粹的生活……

改编自同名漫画，讲述1988年万圣节过后的早晨，四个送报纸的12岁女孩无意间卷入了穿越时空的旅行者们之间的冲突，她们被派去进行穿越时空的冒险，拯救世界。当她们在现在、过去和未来之间旅行时遇到了未来的自己，现在她们必须选择接受或拒绝她们的命运。这是一场情感冒险，女孩和她们最终成为的女人都很坚强，她们的友谊是真实的，她们的时空穿梭是史诗般的。黄阿丽饰演成年版的艾琳·提恩，当两个艾琳最终相见时，她们被迫面对童年的希望、梦想、野心和长大后的生活现实之间的差距。

年轻的耶和华见证会传教士亚娜在一次礼拜中被愤怒的当地人烧毁了她的礼拜场所，她感到十分震惊。她的丈夫大卫设法获得了这次袭击的闭路电视录像。但在他们与年幼的儿子同住的格鲁吉亚偏远村庄里，他对正义的追求引发了一系列事件，他们将发现这个家庭被完全孤立，完全听任敌对的当地警察的摆布。

1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。 Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem. From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

梅拉布（列文·格尔巴赫亚尼 ლევან გელბახიანი 饰）出生于舞蹈世家，专研格鲁吉亚民族舞，然而，这种舞蹈追求的是强劲有力的男子气概，可梅拉布自幼就身材娇小一副弱不禁风的样子，因此，无论他怎样的努力，却总是遭到教练根本性的否定。 某日，舞蹈队里来了一位名叫伊拉克利（巴奇·瓦利什维利 ბაჩი ვალიშვილი 饰）的新队员，这个男人幽默风趣，自由不羁，同时也有着极强的专业素养。在伊拉克利的刺激之下，梅拉布再度燃起了斗智，想要和他一分高下，与此同时，还有另外一种隐秘的感情在梅拉布的内心里渐渐苏醒，而他知道，这种感情很可能会毁掉自己的前途，乃至整个人生。

一个曾经丧失人性的刑讯逼供者.在几十年之后接受电台记者的采访重新回忆自己那段罪孽深重的过去.他以前拷问别人,现在却接受这个记者的“拷问”.在这个下午,拷问的不仅仅是他本人,也拷问了人性,拷问了整个社会制度。

雅科夫·帕帕什维利有一半犹太血统，戈尔巴乔夫的改革开始后，他和家人获得了苏联的出国签证，准备前去以色列定居。在为他送行时，他同父异母的非犹太人弟弟梅拉布却阴差阳错上了飞机。在国外，人们都把梅拉布当作克格勃间谍，梅拉布有家难回……

宙斯一直享有众神之王的地位。直到一天早上醒来，他发现额头上有一条皱纹。神经症开始发作，让他走上了一条危险、偏执的道路。宙斯确信自己的陨落即将来临，并开始在各处看到这一迹象。 宙斯曾经可靠的兄弟，冥界之神哈迪斯，正在秘密地放开对黑暗世界的控制。大量死者等待处理，他们变得焦躁不安。天后赫拉（珍妮·麦克蒂尔饰）以她独特的方式统治着地球以及宙斯。但她的权力和自由受到宙斯日益增长的偏执的威胁，被迫采取行动。宙斯叛逆的儿子狄俄尼索斯（纳巴汉·里兹旺饰）则失去了控制，即将与他的父亲发生彗星撞地球般的冲突。 在地球上，人们渴望改变，然而大海、风暴、地震（以及战马）之神波塞冬（克利夫·柯蒂斯饰）更关心他的超级游艇的大小以及下一场聚会的地点。他对凡人的福祉不感兴趣。不幸的是，对于众神来说，一些凡人已经开始意识到这一点······ 里迪（奥罗拉·佩里诺饰）、俄耳甫斯（基连·斯科特饰）、卡诺伊斯（米夏·巴特勒饰）和阿里（蕾拉·法扎德饰）这几个凡人来自不同的行业，并且在对抗宙斯的战斗中命运相连。每个人都扮演着截然不同的角色，他们中的任何一个都可能是命中注定的弑神者。