“Sophie is good at school and Mum's thrilled. Jessica has her boyfriend and, anyway, she’s Jessica. Me? I dunno. A void. I suck.” They’re all nuts. Her parents, who want to send her off to boarding school. Her new teacher, who expects her to read impossibly old books. Her fellow band members, who make her sing ridiculous lyrics and dress her up in a frilly white dress for their first show. Everyone seems to know what she should do and how she should act. And it’s not like 13-year-old Aurore has any fundamental problem with changing herself either. Who would want to be like this: unhappy, ugly and emotionally withdrawn? But the others don’t seem all that much happier to her either. She definitely doesn’t ever want to be as old, rundown and lonely as her mother. And so she prefers to stay the way she is, to observe and make her biting comments on whatever comes her way. berlinale 2016

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate. The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film. The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches". Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

Christine, adolescente révoltée, tombe amoureuse de Nicolas, un as du patinage artistique. (Téléfilm réalisé pour Arte dans le cadre de la série Tous les garçons et les filles de leur âge et primé à Locarno).

福特（马丁·亨德森 Martin Henderson 饰）是一名赛车手，曾经，他效力于凶残而又狠毒的毒贩亨利（马特·斯查尔兹 Matt Schulze 饰），如今，重返家乡的他只希望能够和女友夏恩（莫奈特·玛佐 Monet Mazur 饰）一起过上平静的生活。 然而，亨利显然并不愿意放过福特，在各种威逼利诱福特重新回到他的身边无果之后，亨利将一桩杀人案栽赃到了福特的头上，而死者不是别人，正是飞车党老大泰瑞（艾斯·库珀 Ice Cube 饰）的弟弟，于是，泰瑞开始了对于福特锲而不舍的追杀，与此同时，联邦调查局亦因此而对福特展开了追踪调查，在如此危机的情况之下，腹背受敌的福特能否证明自己的清白？

环球在40年代推出了一套低成本悬疑系列电视电影“内部圣所之谜”。  这套影片根据当时很火的悬疑电台节目改编，由小朗·钱尼主演。“召唤死亡医生"是该系列的第1部。由于原节目时长只有30分钟，为了改编成更长的影片，制片方增加了很多场景和人物对白将故事拓展成了1小时。另外，公司为了宣传噱头，当初还以小朗·钱尼的父亲朗·钱尼主演作为宣传。 第一部剧情简介：妻子被毁容并杀害，自己毫无疑问成为了警方的重点怀疑对象，可是自己却失去了两天的记忆..   （拖延症字幕没有组）

镜头聚焦在一个名叫巴德（Leigh McCormack 饰）的男孩身上，巴德很早就失去了父亲，和母亲（Marjorie Yates 饰）以及哥哥一起过着相依为命的生活。整个童年时代在巴德的回忆里都笼罩在孤独和寂寞之中，在学校里，他一个人上课，一个人发呆，一个人回家，还要是不是的提防班上强壮的男生对他的威胁和嘲笑。 回家后，巴德也总是一个人待着，母亲建议他多和朋友们在一起玩，但她并不知道的是，巴德甚至都没有一个能真正称得上朋友的伙伴。巴德整日里将时间花在观察凝听这个世界和胡思乱想上，入夜，可怕的噩梦便会找上门来。就这样日复一日，巴德长大了，当再度回忆这段平凡而又独特的童年时，巴德会有怎样的感受呢？

Cyrus Nollen, Bergerac High's resident big-nosed hacker, uses social media to help a handsome star athlete win the heart of his best friend Roxy, despite the fact that he is deeply in love with her himself.